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The Story - The Song Swordfishtrombone - Tom Waits - Special Promotion Package (Box Set, LP, Album, Album)

By Migami on 8 Comments


  1. The instrumentation of the album is very unique, as it ranges from heavy guitar strumming to light organs and string quartets, all behind Waits' memorable and distinctive voice. Tom also adds a.
  2. Tom Waits Lyrics "Swordfishtrombones" Well he came home from the war who played dirty water on a swordfishtrombone he went to sleep at the bottom of Tenkiller lake and he said "gee, but it's great to be home." Well he came home from the war with a party in his head and an idea for a fireworks display album: "Swordfishtrombones" (
  3. Careful with That Axe: Near the end of "Swordfishtrombone," a song where most of the vocals are somewhat quiet, Tom Waits lets out a loud scream. Child Ballad: He has his own version of Ballad #10, "The Twa Sisters," from his album "Orphans: Brawlers, Bawlers & Bastards." Take a listen.
  4. Swordfishtrombone Lyrics: Well, he came home from the war with a party in his head / And a modified Brougham DeVille / And a pair of legs that opened up like butterfly wings / And a mad dog that.
  5. The Ariola/ Eurodisc pressing has the song title spelled as "Swordfishtrombones". Other pressings seem to have it spelled as 'Swordfishtrombone". - Tom Waits (): "That's the title song. It has kind of a Cuban night club feel to it. It's a story to try and give an overview of a character.
  6. Apr 18,  · Swordfishtrombone and Rain Dogs are two of my favorite Waits album's. Swordfishtrombone has some great non standard roxk instruments and Waits is all over the place vocally +Shore Leave and the title track are both good examples. Franks Wild Years (the song) is one of the most dark funny things he's done.
  7. Between the release of Heartattack and Vine in and Swordfishtrombones in , Tom Waits changed labels, and transformed himself from a jazz-inflected poet/crooner into something altogether ovapnedatacankeynalcobbchiheakerp.coinfoishtrombones marks the beginning of an obvious trilogy that saw the emergence of Waits as a designer of soundscapes (this was the first of his albums Waits produced himself), with an overall.

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